{"id":3201,"date":"2025-01-18T20:17:22","date_gmt":"2025-01-18T20:17:22","guid":{"rendered":"https:\/\/research.swissdigitization.ch\/?p=3201"},"modified":"2025-01-18T20:20:41","modified_gmt":"2025-01-18T20:20:41","slug":"die-demoscene-und-die-kontrolle","status":"publish","type":"post","link":"https:\/\/research.swissdigitization.ch\/?p=3201","title":{"rendered":"Die Demoscene und die Kontrolle"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Revision 2024 - Compo - PC 64K Intro\" width=\"625\" height=\"352\" src=\"https:\/\/www.youtube.com\/embed\/DNXCW7kEaJw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Warum gibt es in der Demoscene so wenig zuf\u00e4llig generierte Effekte? Neues das entstehen kann in den Routinen und dann im Sehen? <br><br>Das Meiste ist volle Kontrolle \u00fcber das &#8222;neue&#8220; Medium &#8211; bis heute. Oder zumindest kontrolliert die Musik die Effekte. Aber das ist eigentlich ein bisschen Dasselbe. Es ist eine Kontrolle. Man kann sogar die Auswahl der Musik mit klassischem Technobeat(Technobit) so lesen: Kontrolliere es alles.<\/p>\n\n\n\n<p>Ein neue Cyberwelt &#8211; eine neue kontrollierte Cyberwelt. <\/p>\n\n\n\n<p>\/\/ Vgl. Dazu Games als Kontrolle in einem Kontrollraum (Cyberraum).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Warum gibt es in der Demoscene so wenig zuf\u00e4llig generierte Effekte? Neues das entstehen kann in den Routinen und dann im Sehen? Das Meiste ist volle Kontrolle \u00fcber das &#8222;neue&#8220; Medium &#8211; bis heute. Oder zumindest kontrolliert die Musik die Effekte. Aber das ist eigentlich ein bisschen Dasselbe. Es ist eine Kontrolle. Man kann sogar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3201","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts\/3201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3201"}],"version-history":[{"count":3,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts\/3201\/revisions"}],"predecessor-version":[{"id":3205,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts\/3201\/revisions\/3205"}],"wp:attachment":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}