{"id":8270,"date":"2026-10-31T16:29:53","date_gmt":"2026-10-31T16:29:53","guid":{"rendered":"https:\/\/research.swissdigitization.ch\/?p=8270"},"modified":"2026-10-31T16:29:53","modified_gmt":"2026-10-31T16:29:53","slug":"cursoryhalf-typewriter-art-oder-jenseits-von-ascii","status":"publish","type":"post","link":"https:\/\/research.swissdigitization.ch\/?p=8270","title":{"rendered":"CursorYHalf, TypeWriter-Art oder jenseits von ASCII"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">TypeWriterArt ist eigentlich offener als ASCII-Art. Hier kann man Dinge \u00fcberschreiben oder eben HalfSteps machen. Das sieht man etwa in folgenden Experimente. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1348\" src=\"https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-29-um-21.23.36-2048x1348.png\" alt=\"\" class=\"wp-image-8271\" srcset=\"https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-29-um-21.23.36-2048x1348.png 2048w, https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-29-um-21.23.36-300x197.png 300w, https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-29-um-21.23.36-768x506.png 768w, https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-29-um-21.23.36-1536x1011.png 1536w, https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-29-um-21.23.36-624x411.png 624w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<!--more-->\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1518\" height=\"1498\" src=\"https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-28-um-19.20.26.png\" alt=\"\" class=\"wp-image-8272\" srcset=\"https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-28-um-19.20.26.png 1518w, https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-28-um-19.20.26-300x296.png 300w, https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-28-um-19.20.26-768x758.png 768w, https:\/\/research.swissdigitization.ch\/wp-content\/uploads\/2026\/10\/Bildschirmfoto-2026-10-28-um-19.20.26-624x616.png 624w\" sizes=\"auto, (max-width: 1518px) 100vw, 1518px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Oder bei Beispielen von fr\u00fcher<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-the-marginalian wp-block-embed-the-marginalian\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"dMydpBA8bK\"><a href=\"https:\/\/www.themarginalian.org\/2014\/05\/23\/typewriter-art-laurence-king\/\">A Visual History of Typewriter Art from 1893 to Today<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u201cA Visual History of Typewriter Art from 1893 to Today\u201d \u2014 The Marginalian\" src=\"https:\/\/www.themarginalian.org\/2014\/05\/23\/typewriter-art-laurence-king\/embed\/#?secret=pAdAmzY98F#?secret=dMydpBA8bK\" data-secret=\"dMydpBA8bK\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">TypeWriterArt hat die M\u00f6glichkeit Dinge zu \u00fcberschreiben und ist damit 1,2,3 oder hundertfache gestappelt auf einem Feld.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ASCII dagegen ist ein fl\u00e4chiges Format und basiert auf einer Fl\u00e4che eindimensional. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>TypeWriterArt ist eigentlich offener als ASCII-Art. Hier kann man Dinge \u00fcberschreiben oder eben HalfSteps machen. Das sieht man etwa in folgenden Experimente.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8270","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts\/8270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8270"}],"version-history":[{"count":1,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts\/8270\/revisions"}],"predecessor-version":[{"id":8273,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=\/wp\/v2\/posts\/8270\/revisions\/8273"}],"wp:attachment":[{"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.swissdigitization.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}